The “Barah Foundation” for Culture and Arts in Benghazi hosted an art exhibition titled (For What Comes After), featuring works by photographer Mohamed Amnina and visual artist Hind Al-Rashidi.
The exhibition serves as a poignant documentation of the Derna floods caused by Cyclone Daniel, exploring art’s role as a bridge between tragic reality and human creativity. Through paintings and photographs, it demonstrates how visual arts can transform disasters into enduring visual testimonies, conveying victims’ suffering and fostering dialogue on humanitarian crises.
By highlighting the interplay between catastrophe and artistic expression, the exhibition underscores that art is not merely a record of events but a tool to transmute pain into powerful messages that raise societal awareness and preserve collective memory.
